Hopefully you’ve already checked out my other video: Project Fi – From 1996 to Nexus 6. In that video I discuss Project Fi, the Nexus 6, and the cellular industry in general. It started out with an opening shot of twelve Nexus Sixes (or Nexus 72, if you prefer).
In another blog post and video I showed off my motion control slider project. I’ve been looking for excuses to use it in particularly “motion-controley” ways, and so I decided to composite a bunch of passes of the camera over my one Nexus 6 to make make many of them.
As you can see, it’s done in front of a green screen. That let me isolate the Nexus 6 in each pass, which I then layered on top of each other in Adobe After Effects. I just used a mirror effect in Adobe Premiere to create the left side of the “wall”.
I thought that this was a good use of motion control for compositing because it would have been nearly impossible (or at least very difficult) to make each of the 6 passes of the camera happen at exactly the same speed if I did it by hand.
My green screen and the holder for the phone (just a mini light stand covered in green masking tape) weren’t perfectly uniform, either in texture or lighting, so the matte came out a little rough and you can see some artifacts around the phones.
I’ll admit that I’m a lazy man, so rather than re-light and re-shoot the entire thing I used a garbage matte to get rid of the worst of it. With the footage having been sped up 3x and the white-to-normal dissolve thing, it’s not overly noticeable in the final product. (Or at least I’m hoping that you didn’t notice it.)
If you have any questions about how I put it together, or any advice for me on how to get a better result next time, please let me know in the comments!